Positions through Triangulating


Benjamin, W. (2008) ‘Foreward’, in The Work of Art in the Age of Mechanical Reproduction. London: Penguin Books, pp. 1–16. 

Colomina, B. and Wigley, M. (2016) ‘Good Design is an Anesthetic’, in Are We Human? Notes on an Archaeology of Design. Zürich, Switzerland: Lars Müller Publishers, pp. 89–101. 

Margetts, M. (2022) ‘The Post-craft Turn’, in Post-craft. London: Sternberg Press, pp. 41–51. 

Martens, K., Kinross, R. and Triest, J. van (2019) Karel Martens – re-printed matter. Amsterdam: Roma Publications. 

McLuhan, M., Agel, J. and Fiore, Q. (2008) The medium is the massage. London etc.: Penguin. 

Reimer, K. (1998-2000) Copies, karenreimer.info. Available at: https://karenreimer.info/projects/copies/. 

Steyerl, H. (2012) ‘In Defence of the Poor Image’, in The wretched of the screen. Sternberg Press, pp. 31–45. 

Walkup, K. (2020) ‘The Book as a Pot-Luck Offering: Edna Beilenson, Jane Grabhorn & Books of the Distaff Side ’, in Natural Enemies of Books: A Messy History of Women in Printing and Typography. Grafikens Hus, pp. 25–50.